75
complexae:

yelena yemchuk


85
highqualityfashion:

Elza Luijendijk by Thomas Cooksey for Tush SS 14


458
fiore-rosso:

Peter EisenmanBerlin, Germany.


4123
lxixlxix:

MINIMALSM OF FASHION


30
fatifer:

Fear Of God, Second collection.


256
dekonstruktivisme:

Ingrid Van de Wiele spring—summer 1998.
Ingrid Van de Wiele took her first steps in the fashion world more than ten years ago, but since she launched a collection under her own name onto the market six years ago, those steps have become great strides. She now has sales outlets all over the world and her own shop in Antwerp and Tokyo. 
The striking elements in Van de Wiele’s collection are the pure lines, the perfect finish, the restrained colours and the redefined materials. Her clothes tell the muted story of the quest for the perfect form, and the adept use of nips and tucks. This quest is halted momentarily for the presentation of new summer and winter collections and is then meticulously continued. Materials are given a new use: like the textile wallpaper with the appearance of imitation velvet, aluminium thread combined with nylon for a blouse, paper for a jacket. The colours are restrained (black, grey, beige, white) so that the material becomes almost intangible and nothing interferes with the purity of the form.


390
labsinthe:

“Floating” Maggie Rizer & Małgosia Bela photographed by Steven Meisel for Vogue Italia 1999


2782
sirensongfashion:

Beverly Peele by Gilles Bensimon for Elle US January 1993


297
pinerosolanno:

Incendiaire
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